Tool is an American progressive rock band, formed in 1990 in Los Angeles, California, when drummer Danny Carey joined the rehearsal of his neighbor, singer Maynard James Keenan, guitarist Adam Jones and bassist Paul d’Amour, when nobody else would show up. His decision proved to be a stroke of luck when the band turned out to become a highly successful act, “introducing dark, vaguely underground metal to the preening pretentiousness of art rock” — most notably due to their influential second album, Ænima (1996).
They have gained appreciation and critical praise for a complex and ever-evolving sound, that ranges from “slam and bang” heavy metal on their first release to more progressive influenced songwriting on Lateralus (2001) which “in another era [...] would have been considered progressive rock, ten tons of impressive pretension.” Their overall sound has been described as “grinding, post-Jane’s Addiction heavy metal” as well as “a primal sound as distinct as it is disturbing” — most simplified categorizations of the band’s genre are often dismissed. They are known for addressing philosophical and spiritual issues in their lyrics, such as evolution and Jungian psychology (“Forty Six & 2″), organized religion (“Opiate”) and transcendence (“Lateralus”), as well as for songs that feature “complex rhythm changes, haunting vocals, and an onslaught of changes in dynamics” which often result in a greater-than-average track length. Additionally, most of their music videos feature stop-motion animation created by Jones, in a style similar to the Brothers Quay — “strange puzzle-like four minute movies” — which tend to perpetuate the perception of Tool as a “dark, disturbing” band.
Their music has been influenced by King Crimson, Led Zeppelin, Pink Floyd, Rush, Meshuggah, and early Yes, among several others. In turn, Tool’s music has been deemed influential by critics and fellow artists alike.
Recently Kirk Hammett (Metallica) has played with the band in a show and described in Metallica’s official web site this event as “one of the most profound jamming experiences I have ever encountered.”