Tag: progressive rock
The New York Progressive rock/emo band, Coheed and Cambria, are headed to a venue near you so catch the Amory Wars 1st hand.
The Moody Blues are a British rock band originally from Birmingham, England. Founding members Michael Pinder and Ray Thomas performed an initially rhythm and blues-based sound in Birmingham in 1964 along with Graeme Edge and others, and were later joined by John Lodge and Justin Hayward as they inspired and evolved the progressive rock style. Among their innovations was a fusion with classical music, most notably in their seminal 1967 album Days of Future Passed.
Trans-Siberian Orchestra (often abbreviated as TSO) is a rock/metal orchestra founded by Paul O’Neill, Robert Kinkel, and Jon Oliva in 1996. It is best known for its remakes of classical Christmas songs.
Trans-Siberian Orchestra was founded in 1996 in New York City by composers Paul O’Neill and Robert Kinkel, and Savatage lead singer Jon Oliva.
O’Neill had managed and produced rock bands including Aerosmith, Humble Pie and Scorpions, later writing for and producing Savatage, where he began working with Kinkel and Oliva. The concept for a band playing Christmas carols in a rock opera style was not received warmly by the industry, but quickly proved a success with adults as well as young people.
In the recording studio, Trans-Siberian Orchestra uses a full 60-piece orchestra and a choir. As of 2004, their touring band included 14 vocalists, 14 musicians, and 2 narrators.
Journey is an Arena rock band formed in 1973 in San Francisco, California.
The band has gone through several phases since its inception by former members of Santana. The band’s greatest commercial success came in the early 1980s with a series of power ballads and soaring classics such as “Don’t Stop Believin'”, “Any Way You Want It,” “Open Arms”, “Separate Ways” and “Wheel in the Sky”. Many credit the group’s success to Steve Perry’s powerful vocals and Neal Schon’s complex guitar work.
Tool is an American progressive rock band, formed in 1990 in Los Angeles, California, when drummer Danny Carey joined the rehearsal of his neighbor, singer Maynard James Keenan, guitarist Adam Jones and bassist Paul d’Amour, when nobody else would show up. His decision proved to be a stroke of luck when the band turned out to become a highly successful act, “introducing dark, vaguely underground metal to the preening pretentiousness of art rock” — most notably due to their influential second album, Ænima (1996).
They have gained appreciation and critical praise for a complex and ever-evolving sound, that ranges from “slam and bang” heavy metal on their first release to more progressive influenced songwriting on Lateralus (2001) which “in another era […] would have been considered progressive rock, ten tons of impressive pretension.” Their overall sound has been described as “grinding, post-Jane’s Addiction heavy metal” as well as “a primal sound as distinct as it is disturbing” — most simplified categorizations of the band’s genre are often dismissed. They are known for addressing philosophical and spiritual issues in their lyrics, such as evolution and Jungian psychology (“Forty Six & 2”), organized religion (“Opiate”) and transcendence (“Lateralus”), as well as for songs that feature “complex rhythm changes, haunting vocals, and an onslaught of changes in dynamics” which often result in a greater-than-average track length. Additionally, most of their music videos feature stop-motion animation created by Jones, in a style similar to the Brothers Quay — “strange puzzle-like four minute movies” — which tend to perpetuate the perception of Tool as a “dark, disturbing” band.
Their music has been influenced by King Crimson, Led Zeppelin, Pink Floyd, Rush, Meshuggah, and early Yes, among several others. In turn, Tool’s music has been deemed influential by critics and fellow artists alike.
Recently Kirk Hammett (Metallica) has played with the band in a show and described in Metallica’s official web site this event as “one of the most profound jamming experiences I have ever encountered.”